wandrlust:

Stanley Kubrick filming A Clockwork Orange (1971)

(via celluloidandcigaretteburns)

euo:

That’s how this works. You talk to me about it so that I can take your hand and fucking walk through this shit with you. That is what I signed up for, okay? But I cannot do that if you won’t let me in.”

Short Term 12 (2013) dir. Destin Daniel Cretton

(via pawsthomasanderson)

Costume Design of Black Swan

Swarovski crystal, renowned for its sparkling and alluring properties, is used to juxtapose the dark, dramatic costumes and sets which illustrate this chilling tale of a prima ballerina striving for perfection.

(Source: ashleybensons, via pawsthomasanderson)

euo:

"The idea of becoming someone else for a little while. Being inside another skin - thinking differently, moving differently, feeling differently.”

Being John Malkovich (1999) dir. Spike Jonze

(via pawsthomasanderson)

fohk:

modern-vampires-of-art-history:

Tamara de Lempicka, The Telephone II (1930) / Vampire Weekend, Taxi Cab (2010)

MODERN-VAMPIRES-OF-ART-HISTORY SHUT THE FUCK UP

All told, the sequence clocks in at around six minutes. Fukunaga and the crew ran through the whole thing seven times while the cameras were rolling. The director built in possible edit points if two takes had to be combined to make the perfect version of the shot, but anyone who is wondering should know that the sequence everyone saw in the episode is, in fact, a true single take and one of the great achievements of filmmaking for television - True Detective: How Did They Pull Off That Final Shot?

(Source: oh-whiskers, via onlygodardforgives)

kahzu:

1966 Ferrari 365P Berlinetta

(via onlygodardforgives)